Where Music Works

February 5, 2014 at 12:22 Leave a comment

If you’ve ever sat before a blank page of manuscript…

Jim Aikin's Oblong Blob

In the opening chapter of his book How Music Works, David Byrne makes a provocative and insightful observation. In a nutshell, he argues that the type of music composers and performers create depends largely on the type of space in which the music is to be played. The social purposes being served also play a role.

The simplest example of this is to imagine what high-energy funk would sound like if played in a cathedral. A cathedral is an extraordinarily reverberant space. As a result, the crisp rhythms of funk would turn into a dull roar. Trying to play funk in a cathedral would be all but pointless, because nobody could hear what you were doing.

Byrne gives lots of other examples. His underlying point is that our usual fantasy, in which the artist creates something based on an inner impulse toward personal expression, is exactly backwards. What the artist…

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